EDITIONS

North American | European

James Bowden recently explored the farthest shores of the British Isles, taking nothing more than his van, good friends and good expectations. He recounts his journey through the lens...

A shaper with a real passion for his craft, Tyler Hatzikian has consistently refused to compromise the quality or the integrity of his work in order to make a quick buck. He talked to Drift about nose-riding, refining longboard design and his reluctance to take the limelight. Words & photos: Jamie Bott

"I'm not interested in formulae when it comes to surfing and art." Ryan Lovelace talks to Chris Preston about trusting your eyes, hands, and feet, and adding another leaf to the weird-hull-alternative-vibe-tree. Photos: Morgan Maasen, Brandon DiPierri & Ryan Lovelace

Rebel wave riders on a mission to enlighten the Western world to the true culture of the Middle East, blakkbox redefine the notion of surfers as beach bums who only care about the next wave. Photos: Cole Estrada & Anthony Allen

Hidden away in a Falmouth boatyard among the classic lines of traditional timber ships is an unusual surfboard factory: one in which the boards are finished with wood and natural oils. Here tradition meets modernism. This is Glass Tiger. Words: Mark Sankey Action photos: Kirstin Prisk Other photos & design: Alexa Poppe

God Went Surfing with The Devil is a film by Alex Klein, which documents the war-torn region of Gaza. At a time when tensions are high, this film investigates the attitudes and aspirations of a small pocket of people where surfing removes socio-political divisions and lets the ocean carry their aspirations for peace.


Refinements in design

July 20, 2009 | Words By: Tom W

surfie-dude-waikiki-openHere are two boards that fascinate me…
surfie-dude-waikiki

The first is this ancient guy at Waikiki. This guy looks like a surfer. You can tell by his stance and the way he holds his board that he loves it and has been riding it a long time. It took Jacob Stuth and I months of looking at this guy’s board before we realised that the rails have a parabolic curve (the tail widens) and that there was a concave in it. We were blown away because there was nothing like this at the Bishop Museum. We made one that day and found that it rode better than the ones I was making.

auction-alaiaThe second photo, sent to me by Jack McCoy, is a board that sold at last year’s Hawaii Surf Auction. The board has straight rails, although  the camera angle makes it look like the tail is narrower than the nose. But the board has a concave from about 18″ behind the nose to the tail. Then, equally amazingly, it has two little concaves on either side of the nose.

Anyone who has struggled with the alaia design for any amount of time will know that the nose pearling is a problem, as is the nose grabbing water and pulling up the face. Someone well over 120 years ago was dealing with exactly the same problems as us. This was his solution. Did it work? I don’t know. I actually have never tried it.

These are just two examples of how great surfing ideas and history are still being revealed and discovered. I still find it great fun to keep looking at surfing’s complex past.

 

 

 

 

 

 

 

 

On a separate note: I am leaving for Europe today for the shaping mission. I am hoping to bring what I have learned about the alaia and other boards to Europe, but at the same time, I am really looking forward to see what the Europeans are up to. If you have a new design or would like to try something new with wood, please feel free to contact me. Actually the best thing to do is respond to this blog – email Howard, editor of Drift Europe. This site is my contact with the world for the summer.


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